Like a good
magician, unfolding a mystery takes a little "sleight of hand." If
you draw attention to what you are doing, then someone will inevitably peek
behind the curtain. Rather, you must distract the audience to maintain your
secrets. Make sure they see only what you wish them to.
Anything can be a
distraction in a story: a character's actions, words, circumstances all can
lead the attention in the desired direction while you perpetrate your trickery
unobserved. But cheap gimmicks rarely yield the most satisfying results. The
best mysteries are the ones where, once revealed, seem so obvious. You find
yourself wondering why you didn't figure it out sooner.
There is a
distinct advantage the author has: they know the secrets. And
thus, they can weave a tapestry with many colored threads all going in
different directions. Patterns form, but the entirety of the work is not seen
until the end.
In the case of a
series, secrets will be revealed along the way. In a shorter work, the reveal occurs
a bit sooner. But with either, there comes that moment when the cloth is jerked
away and the audience "oohs" and "aahs" over the results.
At that time, the magician takes a well-deserved bow.
Ha! People will always suspect the butler, but the writer can always use him as a red herring.
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